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英文 高中

第二題,求解! plan不是名詞嗎?為什麼要加ing? PS.答案是B

多 (二 )】(5)(A) so that(B) too; for When本was ten years Old, my mother took me to Germany. She had a close f 1she_(1)_once again. She and her ffiend had (2匣 around. On our day of departure, we hrst time in my 1jfe,Tgot on an allplane eXperlehces 了hat Week. 人 (C) too; to (D) too; that Tlend there _,$0Twas able to simply be guldec (3)_our baps and drovye to fhe alrport. There, for the 。_(4)_.That was fto be fhe frst Of many new Many of the fun memories Ihave from Germany jinvojve food. One parflcuJarly memoraple eXperienee was my mother?”s friend?s husband showing me__(5)_.The snack ifselfwas sImple: bread and sausage. He took the bread in his right hand and 了e sausage j 各s Jeft and 各en fook a blg blte out of each. He then looked at me and said, “Understfand?”Tfounmd 了is exfremely funny, and 站 happy to spend the next hour or so practlcing 世1s most satisfyIng acfIvlty! ) (1)(A) eager to (B) eager to visit(C) was eager to visit(D) was eager CC (AA) done all planning(B) done 所 也eplanning(C) done all plan(D) done all the plan 片 ) (3)(A) packed up (B) came about (C) handed out (0) took part 了 ( 大 ) (4(A) felt very exclted (B) feel very eXclted 只 feeling very excited “(D) to feel Very exclted ( 及 ) (5)(A) how atraditiona German afternoon snack is eaten_(B) how is atraditional German afternoon snmack eaten _(C) how is eating atraditional German afternoon 2 還

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英文 高中

請問cursory 在第一段的意思是「粗略的、隨性的」嗎? 要怎麼判斷ㅠㅠ

崗1 ns ' Cityscape Painting Evena 本Msory Survey of modern or contemporary art wi lnds0ape makes up a substantial part of the artistie 語 S 計 讓 關 importance may be obvious, its origins are much less so 了 consensus about the exact date of birth of the first city 1 全 說 才 agreememt as to aprecise date for the start of Gi開 painting 全約 FFresco, anaerjal view of a coastal city that'datesifrom Trojan Rome in (8 first 品生 gf the frst millenniumuis the earliest known cityscape painting. Of course, that is no reason to assume thatitis the first of its genmre- During the Middle Ages, representatioris Of clties can be found as backgrounds inmanyilluminated manuscripts, but 個ey were never aoeerded more than secondary roles in those compositions. The late thirteenth and early fourteenth century brought a revival offreedom of expression in Westerm art as 站began throwing off the Wi constralints of the Byzantine tradition. ltwas during this period that Ambrogio Lorenzetti painted the fresco known as “City by牛e Sea , often cited fs as the first true cityscape inthe history of Westerm art. arked by Lorenzetti did not'eome intofull The interest in cityscape painting sp However, small cityscapes doappear as flowerin ltaly until the late 15th century. - backgrounds in some works by the most famous painters 0f the intel ng MG centuries. At that time, some Venetian painters, most notably Vittore arpaccio and 3 Gentile Bellini, created what can be considered the first “golden age”of cityscape painting in Western Art, a short but remarkable tothe scenic ita painting that was soon to come- : curred in ltaly, many ofthe most importamt In northern Eurobpe, much as OC ) : cities only ina supporting capacity for their 4 epictin painters of that era began depicttng 同 二 信實 語人sa stunning resentation, primary subject. In one 6 representation ofariver city. Despite the city is not accorded “leading role” status in 全 閃 讀 測 驗

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