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英文 高中

為什麼第一段的倒數一二行的help implenent是兩個動詞

“分裂後,下列合著村 (D)2a、2b (E)1bp、2a 無敵文意選填王 tfor children With autisim/PDTU ce VeIy important forcC 由 AS n afe agnos1S and interventiol 則 en With autiim/PDT under the lndiviqual ! 幅 for early interventlon Serviees Early dia (Pervaslon iental Disorder: Childr' on Act (IDEA), 想喧 1 igible to thelr (Pervasive DeveJopn with Disapities Educatl 例 needs. Apart trom 訓 DT (pirth to 3) and an education: 一 ion programs for 8 nmunication, Social, academic, behavioral, and daily livine hat 4 learnil often require tte tb autism/PDD (ages3 tudentStW1 academic istruction, Special educatic Vlearried ou fo 22) 9 imlproy Ing individua intertere SKiJJs. Behavior and communication froble emsS assistfance Ofa professional/who 18 knowledge: 虹調 in the autism field to develobp and hel consSlSte approbr inlpJement a 6Jamwhich can be 站 at home and school. The cJassroom environment Should be Structured so that the progra 18 0 and predictabJe.。 Students with autism/PDD ]earn better and are less confused Wtet d@ 1 說 Jnformation 1 PTes ted 6 & ce 1a]ly / rbally 1 六Sualy Verbally. Interaction with nondisabled DeetS 時 紀so important, for 碟六 1 p 。 fOr 了ese students provide models 0f approprlate 1ang ial 面 說 W pehavioral SKi]Is. Consistencv 玉上 and continuity :; lmportan hildren Ity are P 【 1 autlsm/PDD, and Parents Should a] 只 尖 4 id alwayS be S 和 FIOgram, So 也at jeamine activi 0 0 記 計 e GelVItleS, experience 1 弓 上“hceS, and approach il be m i 4 ad oan pecarmried over “broaches Will oOSt effect

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英文 高中

請問cursory 在第一段的意思是「粗略的、隨性的」嗎? 要怎麼判斷ㅠㅠ

崗1 ns ' Cityscape Painting Evena 本Msory Survey of modern or contemporary art wi lnds0ape makes up a substantial part of the artistie 語 S 計 讓 關 importance may be obvious, its origins are much less so 了 consensus about the exact date of birth of the first city 1 全 說 才 agreememt as to aprecise date for the start of Gi開 painting 全約 FFresco, anaerjal view of a coastal city that'datesifrom Trojan Rome in (8 first 品生 gf the frst millenniumuis the earliest known cityscape painting. Of course, that is no reason to assume thatitis the first of its genmre- During the Middle Ages, representatioris Of clties can be found as backgrounds inmanyilluminated manuscripts, but 個ey were never aoeerded more than secondary roles in those compositions. The late thirteenth and early fourteenth century brought a revival offreedom of expression in Westerm art as 站began throwing off the Wi constralints of the Byzantine tradition. ltwas during this period that Ambrogio Lorenzetti painted the fresco known as “City by牛e Sea , often cited fs as the first true cityscape inthe history of Westerm art. arked by Lorenzetti did not'eome intofull The interest in cityscape painting sp However, small cityscapes doappear as flowerin ltaly until the late 15th century. - backgrounds in some works by the most famous painters 0f the intel ng MG centuries. At that time, some Venetian painters, most notably Vittore arpaccio and 3 Gentile Bellini, created what can be considered the first “golden age”of cityscape painting in Western Art, a short but remarkable tothe scenic ita painting that was soon to come- : curred in ltaly, many ofthe most importamt In northern Eurobpe, much as OC ) : cities only ina supporting capacity for their 4 epictin painters of that era began depicttng 同 二 信實 語人sa stunning resentation, primary subject. In one 6 representation ofariver city. Despite the city is not accorded “leading role” status in 全 閃 讀 測 驗

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