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英文 高中

我想要問22題 為什麼是用how

inspiring) 選 reaJistie 務實的 vork 起 Spinach 波菜 ngjanqd fo conversatiorstarter 關 os 和 衣效更 JV、amsmseo~~ 啟對話的放晤 (D) applause ( ) 1 (Aglare (B) hazard (C) despair ( -19 (test (B) testing (0) tested 0 totest ( 雪 )和多 % blessing (B) adversity (C) depression (D) confidence 畫 情 Twas once selected to deliver a speech to an audience of six hundred. Desplte my 2地MR anxjety, Tdecided to take on this challenge and conquer my fear of public speaking. Standing would the audience know that nervousmess onsfage Jooking calm outwardly, IT thought_旋 filjed my veins. A 色w phrases out quickly, a growing sense ofconfidence began to build jside ofme. As IT gradually calmed myself down, words poured out ofmy mouth With flueney, My voice reached far into 了he recesses Of the upper balcony, 2 Icould see people Sitting 名scinated and maybe amazed at how determined I was. When my speeeh ended, the audienee shouted and cheered, the room vibrating with applause. Tappeared humble on the outside, yetl 和pride on the imside. ITrealized I had maastered my greatest fear 放 an extra dose WasS ofunforeseen adversity. 〔新竹女中) ( 遇 )】丈 (% moderate (B) attentive (0) inanimate (D) considerable ( 多how (B) what (G) seldom (D) never ( 和 和人媽 4 fumbling (8) tumbled (0 to tumble (D) was to tumble 《 ( 人到 4 which 和at (G where (D) what ( V 和人 銜 (plotting for (B) bursting with。。(Q crystallized into_(D) involved in (全 |) 鱗 (% along with (B) except for (C) instead of (D) rather than ) IN you ever attempted to avoid giving Or performanceSs beeausSe 0 Tformance anxiety? While you are giving a Speech WW所 Our heart pounding, limbs Shakif Voice 囉"生 ou are Suffering 誠呈 y g Hom anxiety. According to a Survey, Amerieai One fear is public speaking. Fear or anxiety。 為 beeause We Worry too mi mber 生 Ourselves 記 front of 遙 , revealing our WeakneSses, or Teceiving icism JM說 such great anxiety, we have to 2 this challenge and conquer the 全 )]1@Bpeakino-

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英文 高中

我想要問14題 解析看不懂

( 信 和)》芍 wthat tB/ which (0 What WOWny ! ally, a senior at TNSSH, was Selected to give a 3-minute speech in the auditofiUIm for the 100" school'anmiVersafy. She had practiced for weeks before the mirror: 1l1, her heart beat lkeadrum when She stepped onto the stage. Butterflies 12 inher stomacleySally tried to still her shaking limbs.。 Taking a deep breath; Sally began her speech- Everything went well 。13 _the ftfemor in her Voice was noticeable. Then, all ofa sudden, the microphone died. The audience Whispered restlessly: “14 “with horror, her mind went blank. Quickly, Sally chose to 革_the trouble head-on.。 She continued her speech Without the microphone. Surprisingly, the audience quieted down and focused on her each word 1 they were listening to abird singing out for the very first time.' They were amazed at how 。Sally was.。 When the speech ended, Sally bowed With the auditorium filled With 1 縛 ( Sally felt nd realized that inside of her exXlsted a young Woman once tshe ally felt a glow a a 入 g 2 凡 贍 呈 conquered the儿 中) )7紀避 So well-prepared was she (B) Well-prepared as she was C) How Well-prepared she was (D) She was well-prepared 《 生 意 flew (B) were flying (0) flying (D fly ! ) 1%3 (even “BMdespite (0 for fear that (D) even though (72 14 (A Paralyzed (B) Sally,paralyzed (0) ParalyZing WxSally Wwas paralyzed (才1 ) 匠 @take on 轉put of (@ getin (0D give in to ( 1 (as 軸unless Q@asiN 人) AA (D) as long as ( 3 和 (AS) determined (Bludisappointing。 (Gbumiliating (D) attentive 127- Lesson 10

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英文 高中

請問cursory 在第一段的意思是「粗略的、隨性的」嗎? 要怎麼判斷ㅠㅠ

崗1 ns ' Cityscape Painting Evena 本Msory Survey of modern or contemporary art wi lnds0ape makes up a substantial part of the artistie 語 S 計 讓 關 importance may be obvious, its origins are much less so 了 consensus about the exact date of birth of the first city 1 全 說 才 agreememt as to aprecise date for the start of Gi開 painting 全約 FFresco, anaerjal view of a coastal city that'datesifrom Trojan Rome in (8 first 品生 gf the frst millenniumuis the earliest known cityscape painting. Of course, that is no reason to assume thatitis the first of its genmre- During the Middle Ages, representatioris Of clties can be found as backgrounds inmanyilluminated manuscripts, but 個ey were never aoeerded more than secondary roles in those compositions. The late thirteenth and early fourteenth century brought a revival offreedom of expression in Westerm art as 站began throwing off the Wi constralints of the Byzantine tradition. ltwas during this period that Ambrogio Lorenzetti painted the fresco known as “City by牛e Sea , often cited fs as the first true cityscape inthe history of Westerm art. arked by Lorenzetti did not'eome intofull The interest in cityscape painting sp However, small cityscapes doappear as flowerin ltaly until the late 15th century. - backgrounds in some works by the most famous painters 0f the intel ng MG centuries. At that time, some Venetian painters, most notably Vittore arpaccio and 3 Gentile Bellini, created what can be considered the first “golden age”of cityscape painting in Western Art, a short but remarkable tothe scenic ita painting that was soon to come- : curred in ltaly, many ofthe most importamt In northern Eurobpe, much as OC ) : cities only ina supporting capacity for their 4 epictin painters of that era began depicttng 同 二 信實 語人sa stunning resentation, primary subject. In one 6 representation ofariver city. Despite the city is not accorded “leading role” status in 全 閃 讀 測 驗

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