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ON
Po0-0。 ce
から-っ     に基づい
表び、る       てop
、 その番紀を    答えとして最
ークしなきい      も壮切なものを、 のヘー

most jikely

be      e
で more famous than they are today.

-A taveler     ing G                                       w
cxploring Germanys sccnic Ri          v        y
CrmanysS sccnic Rhine River who visits the dty Of Bingen will be

directed to the hi      m
the history                    i
Seum there, which features front and center the amazing career of

Saint エTi
Su 隊  asant  Cy 9 rmeenty se 202 Gm am ace ko
ery sense a issance ogx。 born a htHle more than three and|

き half centuries before  the greatest Renaissance man Leonardo da Vinci (1432.1519).
Hildegard was not only a composer of church music but also a mystic。 es a playwright an
7 Re  and a sharp observer of natural phenomena on earth and in the skies.
Tronically she had becn a sickly child and her aristocrat father did not hold much hope for her
fature should she choose a normal life. Hle felt her only possibihty of personal happiness
Would be in the service of God as a nun. isolated from the stresses of daily decision-making.
Fortunately for Hildegard, Jutta von Spanheim, her mentor, saw in her an unusual abihty。 and
ldegard was able to develop it to such a high degree that she became famous in her long
jifetime of eighty-one yearS, even going on tOurS throughout Europe to promote her ideas and
professed God-given ViSionS.

_) Hildegard was a member of the Benedictine Order、 That meant a hife of balanced sleep.a

Yegetarian diet regular DraYer and lots of hard work Her frst book, /zber Sczps (Koz 7e

ld be a widely read description of the coSmos based on ancient Greek ideas、 It

Ps), woul
jwas believed to be a divinely inspired work in its time and Would not be matched by any man

邊he short biographies on Hildegard di

                                                                                                                                                                                                                                                                  
 
  
 
  
 
 
  

al

 

for centuries,                           lo not ahways detail her mus
nm them, but Hildegard composed noteworthy liturgical pieces

jpositions, 中 even mentio」
eered in developing the musical morality

for  ublic religious ceremony).  She also pion
              in character of a StorY is presented with

herheorsheis granted entry into

here the mal                                  a dilemma of choice
mcept where

and evil which wil determine Whet

heaven

e.Ytaly, and the Year 1619、 It was the tme of the Baroque. Nght

:和 に       poet Giulio Strozzi and
:生: K                m her own lifetime:
alf    llennium arlir tend 1o  d 1
0        end tl

rtraits tell us much about thei

Sci2zg where she is shown

いい                            、 What js wi       F                 n
SH 林                        1S widely believed to be a portrait of Strozzi

that there is no mistaking her sex

mistaking her abilitics、  Strozzi was
day,

and posing with a zo/2 g27zが2。 just so there is no
not the only woman composing music in Venice in her

but wi                       i
aS the most productive of Z/ of the composers there, men or women, generating a

large body of work which consisted mainly of secular (non-religious) works。 She providcd
Tmany Opportunities for sopranos to show of their vocal gymnastics and acting skils.a kind oi
performance that was far from the solemn tones that Hildegard created for the sacred spaces
of Bingen.

。 Hildegard today has a large number of fans who are as excited about her ideas
concerning nutrition and natural food as they are about her music. The compact disc of her
music entitled “The Feather on the Breath of God" iS one of recording history's bestselhng
CDs at 260.000 copies。 Even though Strozzi's era is signihicantIY closer to our own time her
music does not have the simpler New Age *healing' appeal of Hildegard's sounds. Tastes wil
have to change for Strozzi to match this, and good luck, too, t0 the other 367 women lsted jm

Mary McVickers exhaustive compilation of biographies entitled oez CoのSerS の

C/Zsszcg/ 7zs7c.

 

 

                 ト      5
What does the author SuggeSt about how people in general regard classical USiC:

 

 

 

thing about iteventhey dont always like 上

  
 
    

| They wil know some
                 學学2                  5
hey wil be 半 to know What jS neW.
y Will like any woman COmDOSCT・

ry challenging.

1210.

   What is su
INS Suggest            還         k       i
9   8   gested about Hildegard's musical output?.
【t Was inSpired by ancient Greek idcas
It was j                              1
@        aS just one of her many varied and extensive achievements.
@   It Was Written to inspire pioneers in musicals.

⑥⑩  It encouraged immorality.

 

 

 

39| What is true about the portrait of Barbara StroZ2?

 

⑪⑩   Tt looks more like a photograph than the one of Hildegard.
@   Tt contains obvious symbols of monetary SuCCCSS.
(6)   She is trying to look ike a man.

@   She has no musical instrument.

 

0| Which of the compOSCTS jisted below jiS the most popular among IStenerSs Of (

 

 

 

music?

⑪⑩  ldegard of Bingen.
@  Barbara StroZ2L.

@ Leonardo da Vinct
寺  @  Jutta von Spanheim.

 
 
 
                                                                                                                                                                                                                                                                   

(以上で問題は終わりです<  信管番号 1 以降は使用しま せん。)

大学受験

Answer 1

✨ ベストアンサー ✨

Jimmy

36 - 1
""たぶん" 1w
最初の段落の一行目から見ると、while it is a matter of personal taste whether one knows or not ...(人の趣味によって名前が知ってるかどうか変わる中で...(的な))が書かれてて、続いてalmost anyone called upon to mention a few will come up with "Big Daddy" Bach, ... (何人かの名前を挙げられた人のほとんどはバッハや....は思いつく。)とある。
趣味は人それぞれで、もちろん興味のないものだってある。つまり、興味があるの有無に関わらず、バッハとかベートヴェンとかは知ってるってことで、
答えは、1 (彼らはそれが好きでなくてもそれについて知ってることがいくつかある)。

37 - 3
これは、第二段落の4行目に注目すると、ダヴィンチよりだいたい3世紀半早く産まれてることが書かれている。
(born a little more than three and a half centuries before the greatest Renaissance man Leonardo da Vinci (1452-1519))⇦1452がダヴィンチの誕生年。
そして、第二段落の下から2、3行目に she became famous in her lifetime of eighty-one years と81年間が彼女の生涯であると書いてあるため、1452-350+81=1183。(350年+ちょい前って文に書いてあるけど、そこ考えんの時間の無駄だから350で計算しちゃう)

38 - 2
これは消去法で考えた方がわかりやすいかな
3段落の2行目に"Her first book ... based on ancient Greek ideas."から古代ギリシャのインスピレーションは音楽と関連してない。よって1は違う。
そして、3はpioneerのために音楽書いた的なこと書かれてるけど、下から4行目に"she also pioneered"って時点で、先駆者、開拓者に影響与えるんじゃなくて、彼女が開拓したことがわかるため違う。
最後に4だけど、下から4行目には"mortality"とimmortalとは正反対のことが書かれているため、不死は関係なく、4も違う。
一応、音楽以外にも文学にも手出してるってことが文中にあるから、そこで2を選ぶもありです。

39 - 1
4段落の7行目に、"... their individual portraits tell us much about their differences."でヒルデガルトとストロッツィが正反対的なことが書かれていて、ヒルデガルトはカートゥーン(アニメっぽい)ことからストロッツィは逆のリアルと考えられる。そして、10行目にも"realistically"と言ってるため、1。

40 - 1
5段落目の最初から、ヒルデガルトのファンが今は多く、CDがベストセラーと書いてあるため、たぶん1。

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