この文章に文構造を書き込んでいただきたいです🙇‍♀️

文章構造図 英文の黒網⇒キーセンテンス ...⇒別冊ナビブック本文解説 5 1 The recipe for making any creature is written in its DNA. So last year, when geneticists* published the near-complete DNA sequence of the long-extinct woolly mammoth, there was much speculation about whether we could bring this giant creature back to life. 10 e Creating a living, breathing creature from a genome* sequence that exists only in a computer's memory is not possible right now. But someone someday is sure to try it, predicts Stephan Schuster, a molecular biologist at Pennsylvania State University and a driving force behind the mammoth genome project. 3 So besides the mammoth, what other extinct beasts might we bring back to life? Well, [besides) it is only going to be possible with creatures for which we can recover a complete genome sequence. (1)Without one, there is no chance. And usually when a creature dies, the (=Without a complete genome sequence, there is no chance of bringing an extinct creature back to life.) DNA in any flesh left untouched is soon destroyed as it is attacked by sunshine and 2 leave O done) bacteria.

1行目のmightの後は動詞が省略されているということでしょうか？教えて頂きたいです。

hory V So besides the mammoth, what other extinct beasts might we bring back to life? Well, 1-2 なかよし 10 it is only going to be possible with creatures for which we can recover a complete genome sequence. Without one, there is no chance. And usually when a creature dies, the (1)- DNA in any flesh left untouched is soon destroyed as it is attacked by sunshine and bacteria. D 8

大問1、2の答えを教えてください🙇自分の中で答えを出したのですが、分からなかったです。 ↓この教科書の87ページの問題です。

Sunshine マ 「自分の道をさがそう」 SUNSHINE ENGLISH COURSE FN KAIRYUDO 2 HAR

not enough outsideに繋がる主語と動詞はどこの部分でしょうか...？

- a disease associated with the Victorian era - have risen sharply in recent years and Dame Sally Davies, England's Chief Medical Officer, warned recently that children who spend too much time playing on computers and not enough outside in the sunshine, could be in danger from the disease. Cases of rickets 2. -

英語の穴埋め問題です。分からないので解説して頂きたいです。

|PART5 Incomplete Sentences (短文穴埋め問題(2問) 次の文の空欄に一番適当と思われる答(A) (B) (C) (D) から選びなさい。 1. At this year's video-game conference, Masakazu Hasegawa is expected to unveil "Super Sunshine," his much ---- game that has been in development for over five years. (A) anticipate (B) anticipates (C) anticipated (D) anticipating 2. Is locking up the office at night (A) as many (B) as much (C) as important (D) as necessary idpile (0) his responsibility as hers?

一応自分で解いてみたんですけど、④がよくわからなかったので教えて下さい😭😭🙇‍♀️🙏

長文を読む 1. 甲南大学 目標解答時間20分 Is In the 1920s American movies filled the cinema* screens of the world. Most were made in 郊外 Hollywood, a suburb of Los Angeles, in California. Hollywood's big attraction for film-makers was its clean air and sunshine. The movies made there were bright and clear. By the 1920s it had become the film-making capital of the world. HOT ning sibisbaste Maomhsnob vildung, Hollywood movies were made by large companies called studios. The men who ran these boowellpH ei obam eşivom NSROMA FOR STOWW studios were businessmen and their main aim was to make as much money as possible. They eslognA zo.llo eduduz si mixt boot semool 69 adı ni come do enim mobbe i soon found that one way to do this was to (1) standardize* their films. When audiences had 185s d is si BAT-silyte sii seino blowodi 16 lasins anim-mlit od zew boow lig shown that they liked a certain kind of film, the studios made many more of exactly the same kind. Solit tiedi svibnsbasız(1) 21 aninsom ni 122colo da bistars were Another sure way for a studio to make money was to (2) turn its actors into "stars." stil vlieb wone-thr 291700 Tosun sis 29 il ngibus ob es esiyor to bridomy, M vonom to jol som si zivom SAM actors who were so popular that people went in crowds* to see any film they appeared in, no matter bisbristes amosad redivom sole MD A famous star could make any movie a sure success. So the studios how good or bad it was. 21612 00 210106 21 went to great lengths* to make their actors into stars. (S) 01 ob 20ibure du bib jew They encouraged fan magazines. They ob 9 16 2016 2 e sivom vas sisMS 2012 196snt bas esnissgsm nisl noqqu set up special publicity departments* to get stories about their actors into the newspapers. The movies of the 1920s were silent. They bisbasse mod, om to spoke through expressions and movements, not in f H THE LOYAT 1500 words, and so their language was international. All over the world, from Berlin to Tokyo, from night of the week to see the ople lined up every London to Buenos Aires, tens of millions of people lined √ SU OJANE JA AJANSAZETHO A USA (X TO favorite Hollywood stars and, without realizing it, to be Americanized. AANSE AJR

ポイントを読み取ろうと内容を確認しようの それぞれの回答があっているかの確認をお願いします また、間違っている場合は回答を教えてください (内容を確認しよう[1]2の「〜Florida」のあとの because〜って必要ですか？ そちらも教えてください)

dod) bristetebnu od am 101 ◎区切りごとに意味をとりながら、 音読しよう。 海外で頻額をする上で大切なことは何ですか? I : ① What's important/when you perform rakugo overseas? // 新キャラクターがいないもと(原作)のストーリーを大切していると思います S: ② ©I consider it important / to keep the original stories,/ including the 10-1 lo stat 新 そうすることで、海外の環境 日本の文イルド settings and characters. // ③ By doing this, international audiences / 夢中になります。 become absorbed in Japanese culture. // ④ As a result, / they laugh more. // その聞、彼らはもっと笑います。 nothlists rol tod obratuo valg どうようにそれに気づきましたか。 ti 020 I : ⑤ How did you realize that? // .9m baiganos ed tedt gnieliqim アメリカでの公演で、破と気のエピソードを含む日本の計をしました S:⑥ In a performance / in the US / I told a Japanese story / which on inag muated nodw basing 4₁P 14. 15 onideoma included an episode / about a crane and a tortoise. //⑦I didn't think / 日本のツルノ、親しんでいるとは思いませんでした JLUS LGB なじみがある なのでそれ(ツルを the audience was familiar with a Japanese crane.//⑧So/Ireplaced it / ・知度は期待したほど笑いませんでoftome balsecoal フラミンゴに取りかえました。 with a flamingo. // ⑨ The audience didn't laugh / as muchas I had 911 その理由がわかりました 後で、 「フラミンゴ」という言葉は、 expected. // ⑩ Later, / I found out the reason. // ⑦ The word “flamingo" / 島で有名なフロリダに思いを馳せました。 brought their minds to Florida / because it's famous for those birds. // sw jedW. (I 私は彼の心を日本の世界に留めておく必要があることに気づきました。 12 I realized / I had to keep their minds / in a Japanese world. // as wear Fiotisioyami ogul we ad and thusiftib bail enidarue bib ted W (2

Q&Aの回答を教えてください また、Summaryの回答があっているかの確認と 解けていない部分の回答を教えてください

What does Sunshine think about his English? 1: When you perform rakugo in English, what do you keep in mind? S: I perform in the same style as I do in Japanese. I use the same rhythms and pauses for my delivery. Additionally, I try to pronounce each word clearly. 1: So you don't speak English as you usually do? S: No, I don't. For example, I avoid expressions that are specific to Canada. Otherwise, the audience may imagine that the story happened there. In short, I consider it important that my English is somewhat neutral. Using such English, I want to introduce authentic Japanese rakugo to the world. Omin MUS G

Q&Aの回答を教えてください また、Summaryの回答があっているかの確認をお願いします

1: What's important when you perform rakugo overseas? G S: I consider it important to keep the original stories, novel aid ) ne sme including the settings and characters. By doing this, international audiences become absorbed in Japanese culture. As a result, they laugh more. 1: How did you realize that? Vroue glory zoban of S: In a performance in the US, I told a Japanese story which included an episode about a crane and a tortoise. I didn't think the audience was familiar with a Japanese crane. So I replaced it with a flamingo. The audience didn't laugh as much as I had expected. Later, I found out the reason. The word "flamingo" brought their minds to Florida because it's famous for those birds. I realized I had to keep their minds in a Japanese world. ny Slate ge Fright THERE IS ONLY ONE KATSURA SUNSHINE THE NEW YORKER KATSURA SUNSHINE'S RAKUGO IN ORN JAPANESE TRAINED ニューヨーク公演の広告

ポイントを読み取ろうと内容を確認しようの それぞれの回答があっているかの確認をお願いします また、解けていないところの回答を教えてください

◎区切りごとに意味をとりながら、音読しよう。gani ordan asdw. manodi dad dit econeqsUmi obti sa olyda omse ont aberatsed Interviewer: 0 Why did you get interested in rakugo? // mungong bi vsi plafoitibbA vilob you not assung bastamplayed Sunshine : @ I first came to Japan / to see noh and kabuki / because I was see ra casual dellowforform 20 Iva involved / in the performing arts / in Canada. // 3 One day, / I happened understand the whoob usuzu hos degad pinge a mothoroug to see rakugo / in a casual yakitori restaurant. // It was difficult for i spoagod quer me / to understand the whole story. // © But I was impressed with erakugo/because one performer played every role / in a story. // y.netqedure I: How did you become a professional rakugo performer? // tadwemoarl S: I became an apprentice / of my favorite rakugo performer, / Katsura Bunshi. // Generally speaking, / I was too old to enter the rakugo world then. // 9 So / @it was surprising / that he accepted me. // He expected me / to spread rakugo/ to the world / in the future. // He named me Sunshine. // to keep original including the