財管題目，求解😭😭😭

@ 今天,小陳正在慶祝她的 40 歲生日。她的願望是希望在 65 歲退休時,退休後 的 20 年間,每年生日時都能從儲著帳戶中提出$240,000。第一次提款時間是她 的 66 歲生日。小陳打算參加兆豐銀行零存整付專案 (年利率 2%) ,每年生日 時都存入一筆等額現金到此專案帳戶 ,做為退休基金之用。 (1) 如果小陳從 40 歲開始存款,一直到 65 歲 (最後一筆存款是 65 歲生日) ,請問 她每年要存入多少錢才能支應她的退休需求 ? (可先找出以下條件:預計幾年後 退休 ? 退休後每年可領金額 ? 退休儲蓄金可使用年限? ) (2) 假設小陳剛剛很幸運地中了大樂透,所以她決定要改變計畫,不要每年存入等 額的現金,而是在40歲生日時直接存入一大筆可以滿足她退休計畫的錢。請問 大樂透獎金至少要多少錢才夠呢 ? 如果大樂透獎金為$1,500,000 , 請問足以支 應退休計畫嗎?若是可以,請問小陳退休後每年可提領的金額增加多少? 若是不 足以支應,請問小陳每年要再存入多少錢才能支應她的退休需求? ( 假設不考慮 稅賦等影響因素 ) (3) 假設小陳的公司提出員工分紅計畫 ,每年會有$12,500 元分紅直接存在她的儲蔡 帳戶。此外,小陳預期在她 55 歲生日時,可從一筆家族信託基金領到$120,000, 到時她也會把這筆基金直接存到她的退休金帳戶。請問,若有分紅計畫和家族 信託基金的幫助,小陳每年應該還要存入多少錢,來支應她的退休計畫呢?

沒解答，想確認答案

hlorine.。”QOne compound contains talns 13.020%6 chlorine by mass. msS in the two compound? atomic_ number and its mass

請問題目是想要我們做什麼，我看不太懂😅 但是反函數有試著求出來是x=y/(1-y) 請問對嗎？ 謝謝

System Find the composition ofthe following updating function with itselt (put thinss 同 to iplify the compositlom。 and find the inverse 當 over a common denor functior- 7G0 =一-

請問句末的reservoir effect是儲庫效應嗎？（Fig1） 是的話，請幫我繼續解答🙏 有一個含萃取物凝膠，塗抹在皮膚上，滲透係數Kp 較低，但是滯留時間Lag time很長，所以文章解釋為reservoir effect儲庫效應，我看了一下參考文獻(fig2)，但... 繼續閱讀

The HPLC analysis ofthe last samples colleceted in the permeation assays allowed to caleulate the percentage ofbioactive compounds that permeated through the biologieal barrier after 24 hours as well as their permeation fluxes, expressed as hg em? hi (Table 3). Asp-eoumarie acid and caffeic acid are slightly lipophilic, iis possible that, even 放 they did not manage to pass the s/rgjo corjezo, they were trapped in the human membrane, happening whatitis called “Teservoir effee 六

求各合成函數的對應域跟求法 謝謝

3 亞 了(G) 三Vx and g(x) 三V2一x , find cach composite funcfion and ifsdq 7 同eg (b) 2。7/ (c /。/ (d) 2

求此題解法

\ 全閃作食 似合公所 全 TETTTEDEUUH 光 (人 夷浴汪淋浴弦潑地夫《慘 sg 說 /全全 台7夫吉戰潑玉卻瑟旨 3 和 說 記 選下 Fe0o90O1i.06. What percentage of 急 「 The compositon ofa sample of iro | 她Sirgn is in the form ofiron(丁)? (59% 【101 台大5Bj | Bo 全 丈夫 《馮 區嗇參 22.22 7) WUyiOG@ 33 會

請問cursory 在第一段的意思是「粗略的、隨性的」嗎？ 要怎麼判斷ㅠㅠ

崗1 ns ' Cityscape Painting Evena 本Msory Survey of modern or contemporary art wi lnds0ape makes up a substantial part of the artistie 語 S 計 讓 關 importance may be obvious, its origins are much less so 了 consensus about the exact date of birth of the first city 1 全 說 才 agreememt as to aprecise date for the start of Gi開 painting 全約 FFresco, anaerjal view of a coastal city that'datesifrom Trojan Rome in (8 first 品生 gf the frst millenniumuis the earliest known cityscape painting. Of course, that is no reason to assume thatitis the first of its genmre- During the Middle Ages, representatioris Of clties can be found as backgrounds inmanyilluminated manuscripts, but 個ey were never aoeerded more than secondary roles in those compositions. The late thirteenth and early fourteenth century brought a revival offreedom of expression in Westerm art as 站began throwing off the Wi constralints of the Byzantine tradition. ltwas during this period that Ambrogio Lorenzetti painted the fresco known as “City by牛e Sea , often cited fs as the first true cityscape inthe history of Westerm art. arked by Lorenzetti did not'eome intofull The interest in cityscape painting sp However, small cityscapes doappear as flowerin ltaly until the late 15th century. - backgrounds in some works by the most famous painters 0f the intel ng MG centuries. At that time, some Venetian painters, most notably Vittore arpaccio and 3 Gentile Bellini, created what can be considered the first “golden age”of cityscape painting in Western Art, a short but remarkable tothe scenic ita painting that was soon to come- : curred in ltaly, many ofthe most importamt In northern Eurobpe, much as OC ) : cities only ina supporting capacity for their 4 epictin painters of that era began depicttng 同 二 信實 語人sa stunning resentation, primary subject. In one 6 representation ofariver city. Despite the city is not accorded “leading role” status in 全 閃 讀 測 驗

這題正解是You need to pay attention to details when you write a composition. 我寫Pay attention to details when you are writing a composition. 可以嗎

人大) 寫作文時,要注意細 及 、衝 疆色ffo 入fail 史 吃只 三, 翻譯提示:G@ 本句為事實 ,用現在簡單式。 @ when 引導子句,必須有主詞和動詞。中文有時會省略主詞,因熙勳譯時要 根據句意寫出適當的主詞。 @ 「作文」 (composition ) 為可數名詞,在本句中為不指定的事物 ,單數吱 需加冠詞 a。 節。 leA 和8 讓 4 人2了ol (十

第2題不能用D嗎

, my English teacherin junior high scho n assigned me stories to read and 1 一{!_to understand the logic and structure Of the English language. She also introduced me, a young Greek immigrant' to the 上erary wealth of ancient Greece, making me take pride in my _2_.Spying a spark 0f writing potential in me, Miss Hurd once insisted that|_3_an eSSay about m y past in my war-torn homeland. Afterwards. not only did she make sure that tt appeared in the school newspaper, but she also handeditin to acontest, 4 twon me a prize. The Greek community celebrated my honor' and the success boosted my con fidence. As a result, 1 decided to majorin journalism at Boston University _5 二5 Miss Hurd's guidance and inspiration, | followed the literary path she had set me on. Without Miss Hurd, my achievements as a journalist would never have been possible. 全 (//) (A) rounded me up (B) spurred me on (C) put me of (D) tracked me down 人2) 人 (A) origins (B) accents (C) qiversities (D) nationalities ( 2 (訪 (A) to compose (B) composed (C) composing (D) compose (4) (島 (A) which (B) where (C) whose (D) whether 4 2 (A) By (B) Between (C) Under (D) upon

請問5.9是為什麼

tt 2n the nightofthe Inte rmational Cello上 to play a famous musicai piece entitled “The te 誠 Ni 人 aevo, which had been_1t 0U avid Wilde in honor of the Bosnian musician Vedran Smailovic 殖民 光 Watked onto Mhe Stage, bowed to the audience 人 1 Ni 1 hall anq creating a shadowy and empty universe. Slowiyit_4_a 同 audience before subsiding into a hollow death rattle and back tb silence 和 Na performance, Ma remajned 5_overhis cello, and his bow rested onthe strings. ltwas not 同 made a gesture to invite somebody important up onto the stage _6__the audience began to make any Sound_ An indescribabie_electric Shock _7__the audience as they realized that this important somebody was Vedran Smailovic, ihe cetllist of Sarajevo! As ihe two cellists held each other_8_ everyone in the haill was fiied With excitement The audience had been stripped down to their deepest humanity _9 seeing Vedran Smailovic in personm Who had courageously played his cello in abattle to the terrifted peopile hiding in the cellars, despite the fiying bullets and the deadliy bombs. Atthat moment, the audience came to realize ihat music, 一10 created or fistened to, is a gift that can soothe, inspire, and unite peopl人 (1) ( ) (A) composed by put on (C) risen from (D) consisted 9 (2) (YU(A)achar stood solitary ~、~(B)did achair stand soltary (C) solitary a chair did stand “” (D) stood a solitary chair (3) ())(A) and Stole (B) which stole (C) stealing (D) stole (4) (丘) (A) faded into (B) grew into (Gerupted into ~OD) fellinto ce5) (S (A) thatbend (8) bend (C) bemt (D) tobend (6)(只) (A) where (B) that (C) which (D) since 和 7 (A) stretched into (B) smashed into (CC) stole into (D) swept over (8) (~7Ainthe face (8B)inthe midst (C) inan embrace 過 im 3 (9)(P7) Anear (B) at 生 同 (10 0 ) (A no matter(B) neither US